As in other films of the duo, »One Hundred Steps« unfolds through a hybrid language between documentary and fiction. Here, the museum visitors transform into performers, where musical contributions act as ephemeral occupations of these loaded settings, denying a simplified binary relationship between source and extrapolation, or European and Other, and pivoting the power relations of who is doing the telling and who must listen. It is in this third territory in which Wagner & Burca's narrative is established, wherein the voices and bodies of these artists forge new imaginations around set historical narratives.